Clarissa von Spee

Clarissa von Spee brings more than a decade of museum experience to the CMA. From 2008 until 2016, von Spee served as curator of the Chinese and Central Asian Collections, Department of Asia, at the British Museum in London. She organized exhibitions including The Printed Image in China from the 8th to the 21st Centuries (2010); Modern Chinese Ink Paintings (2012); and Gems of Chinese Painting: A Voyage along the Yangzi River (2014).

In 2013, von Spee became a Fellow of the China Center of Visual Studies at the China Academy of Art in Hangzhou, China. Previously, she was assistant professor at the Institute for East Asian Art History, Heidelberg University, and curator at the Museum für Ostasiatische Kunst in Cologne.

Dr. von Spee received her PhD from Heidelberg University, having also studied in Taipei, Shanghai, and Paris. In 2016 she was awarded a Leverhulme Research Fellowship to conduct research on the art of the Jiangnan region of China.

Recent publications include Wu Hufan: A Twentieth-Century Art Connoisseur in Shanghai (2008); The Printed Image in China from the 8th to the 21st Centuries (2010); Der Perfekte Pinsel: Chinesische Malerei 1300–1900/The Perfect Brush: Chinese Painting 1300–1900 (2010); Modern Chinese Ink Painting: A Century of New Directions (2012); Modern Chinese Painting and Europe. New Perceptions, Artists Encounters, and the Formation of Collections, co-edited with Michaela Pejčochová (2017); and Cai Guo-Qiang: Cuyahoga River Lightning (2019).